WE
MAY NOT KNOW MUCH ABOUT ART, BUT WE KNOW WHAT WE LIKE
In the middle of her new exhibition, in which
the most arresting piece is a looped animation of 150 drawings that
depict a woman masturbating, Tracey Emin explained that sex is
loosening its grip as her 50th birthday looms.
"It
always was about sex, not money," she said. "Sex was what held me in
bed and got me out of it again in the morning. But now it's fading
fast. I don't have the same craziness about sex that I had –
I'm more interested in ideas."
The artist was haloed
by a pink glow emanating from a neon piece in the next room. Its
inscription read: "Oh Christ I just wanted you to fuck me and then I
became greedy, I wanted you to love me."
Her latest
exhibition, at the White Cube gallery in Mayfair, is her first in
London for four years, and the price of individual works ranges from
£5,000 for a simple drawing to £22,500 for each of the five copies of
the animation.
Tim Marlow, director of exhibitions
at the gallery, said: "I'm no economist, I don't know whether we're in
a V or a W-shaped recession, but I've been amazed at how resilient the
gallery's sales have been. These will all sell. People may come looking
for a deal – but they won't get one."
None of the
work has been exhibited before, although it includes pages from an
18-year-old diary, as well as the new neon pieces and her trademark
embroideries and appliqués on blankets.
Many are
autobiographical, but the woman in the animation with the busy hands
and the enviable legs in high-heel sandals is not.
"I
wish it was me!" Emin said.
The figure is based on a
collection of vintage pornography magazines. "I got some funny looks
[when buying them]," she said.
One of Emin's most
famous pieces, the embroidered tent entitled Everyone I Have Ever Slept
With 1963-1995, was destroyed in an art store fire five years ago. Her
fellow artists Jake and Dinos Chapman revealed at the Guardian Hay
Festival at the weekend that they had recreated the work.
Emin
said: "It won't be my tent, it would be totally their version ...
They're always teasing me. The more I say I'm not happy, the more the
buggers will do it." [Sounds
like a typical English boarding school – Ed.]
Emin
has recently been working in temporary exile, having loaned her studio
to another artist, Stephen Cornell. She said: "When the time came for
me to take it back he was in full swing, paint everywhere, so I said
'Don't worry, I'm working on an animation anyway'. It was just an
excuse, but then I decided to do it anyway. I didn't know if the
animation would work, but it was like magic when it all came together
when we scanned all the drawings into the computer, I was thrilled with
it."
–
The Guardian,
May 27, 2009 (via guardian.co.uk). |